Adriana Rispoli – Kuriranje durational performansa

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Polazeći od analize trajnih izvedbi, razgovor će se usredotočiti na važnost vremena u suvremenoj umjetnosti, a posebno na vrijeme u queer hemisferi od Felixa Gonzaleza Torresa i Francesca Vezzolija do recentnih radova predstavljenih na Venecijanskom bijenalu ove godine. Prezentacijom Milianijevog rada, koji isprepliće različite jezike likovnih umjetnosti, plesa, instalacije, kina i glazbe, razgovor će se baviti odnosom vremena i queer estetike, jer kako kaže Miliani, queer misao je uvijek čin otpora spram smrti. “Queer vrijeme znači ne misliti linearno, spojiti elemente prošlosti (Pierrot) sa sadašnjošću tijela u akciji. Stopiti voguing s Pasolinijem kako bi se krenulo od ljepote klasičnog rasplesanog muškog tijela ne bi li se njegov oblik kroz umor i vrijeme distorzirao.”

Adriana Rispoli, kustosica i povjesničarka umjetnosti, u svom radu fokusira se na umjetnost u javnom prostoru. Od 2013. godine radi kao kustosica u Quartiere Intelligente u Napulju, gdje je u 2018. organizirala projekt Smashing the Myth – suvremena umjetnost iz Hrvatske zajedno s muzejom Hermann Nitsch. Od 2009. do 2012. bila je kustosica Project Room-a MADRE Muzeja u Napulju, razvijajući TRANSIT projekt u mreži s međunarodnim institucijama i tri izdanja festivala izvedbene umjetnosti Festival Corpus Art in Action. Kao neovisna kustosica organizirala je važne fotografske izložbe kao što su: Juergen Teller, Pignatelli Museum, Naples, Wim Wenders, Palazzo Incontro, Rome, David LaChapelle, Capodimonte Museum, Naples, i međunarodne projekte uključujući Relational Bianco-Valente, IIC Stockholm, Babel Francesco Jodice, MSU, Zagreb, Room with a view, PAN Naples, Beograd, Zagreb, Through the Looking Glass, Beograd. Surađuje s Artforum.com

Starting from an analysis on durational performances, the conversation will focus on the importance of time in contemporary art and in the particular on time in queer hemisphere from Felix Gonzalez Torres to Francesco Vezzoli since to the last works presented in Venice Biennale this year. Through the presentation of Miliani’s work, which crosses various languages of visual arts, dance, installation, cinema, and music, the talk will address on the relation of time with queer esthetics since, as he say, to think queerly is always an act of resistance to death. “Queer time means to don’t think linearly, to fuse elements of past (Pierrot) with the present of a body in action. To melt Voguing with Pasolini to start with the beauty of the classical dancing masculine body to distort its shape through the fatigue and time”.

Adriana Rispoli is curator and art historian interested in artistic processes in the public space. Since 2013 she is curator at Quartiere Intelligente in Naples where recently organized Smashing the Myth performing art from Croatia together with Hermann Nitsch Museum. From 2009 and 2012 she curated the Project Room of the MADRE Museum in Naples developing the TRANSIT project in network with international institutions and three editions of the performing Festival Corpus Art in Action. As independent curator she organized important photographic exhibitions such as: Juergen Teller, Pignatelli Museum, Naples, Wim Wenders, Palazzo Incontro, Rome, David LaChapelle, Capodimonte Museum, Naples, and projects abroad including Relational Bianco-Valente, IIC Stockholm, Babel Francesco Jodice, MSU, Zagreb, Room with a view, PAN Naples, Belgrade, Zagreb, Through the Looking Glass, Belgrade. She collaborates with Artforum.com