{"id":32035,"date":"2022-12-13T13:02:29","date_gmt":"2022-12-13T13:02:29","guid":{"rendered":"https:\/\/thisisadominoproject.org\/programi\/etno-queer\/"},"modified":"2023-09-26T08:40:43","modified_gmt":"2023-09-26T08:40:43","slug":"etno-queer","status":"publish","type":"dt_portfolio","link":"https:\/\/thisisadominoproject.org\/en\/programi\/etno-queer\/","title":{"rendered":"ETNO QUEER"},"content":{"rendered":"\n
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ETHNO QUEER<\/strong> is a broadly defined cultural-research and production project of the Domino association, which brings together organizations and culture experts, as well as organizations from Croatia and its region devoted to social sciences and humanities. Collaborators on the project are organizations whose research focus, methodological principle or production framework includes queer identities, policies and potentials in heritage and traditional cultural practices. The project operates on two levels – towards and in cooperation Domino\u2019s partners, and towards the public. The project gathers, ensures and supports the development of research and re\/presentation activities on the study of sexuality and queer in a broader sense, in the context of tradition and heritage from the register of poststructural and postcolonial theory. In preparation for a more extensive engagement in the coming period, within the Queer Zagreb 2022 program, “Ethno Queer” is being held on May 25 in the Ethnographic Museum prepared by the Ethnographic Museum, the Institute for Ethnology and Folklore, and the Ensemble of Croatian Folk Dances and Songs LADO.<\/p>\n\n\n\n

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\u0160arena tikvica, kraj 19. stolje\u0107a, Posavina, Hrvatska – Etnografski muzej, Zagreb <\/em><\/figcaption><\/figure>\n<\/div><\/div><\/div>\n\n\n\n
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Hrvati bolje jebu od Kranjaca.<\/strong>\n\nDo\u0161le \u0160tajerke na hrvasko da \u017eanju te spavaju\u0107i na tavanu re\u010de jedna drugoj: \u201aTisti \u0160tajerci i tisti Kranjci ne znajo nikaj feglati\/jebati. TistKrovati, tisti faloti\/fakini, veseljaci\/ pa porine pa podine\/po\u010dine. To je lusno\/slatko feglanje.\n \n\nAus Varazdin und von der Murinsel w\u00f6rtlich gleich.(Iz Vara\u017edina i u Me\u0111imurju doslovno isto) Krauss, Friedrich Salomo. 1904. Anthropophyteia. Jahrb\u00fccher f\u00fcr Folkloristische Erhebungen und Forschungen zur Entwicklungsgeschichte der geschlechtlichen. I. Svezak<\/em><\/pre>\n<\/div>\n\n\n\n
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Arhiv: fotografija mu\u0161karaca s prega\u010dama: prijelaskom s 19. na 20. stolje\u0107e  <\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
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Arhiv: fotografija obitelji s 19. na 20. stolje\u0107e<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Mlado mom\u010de putem grede,\nU ga\u0107am mu \u0111ogo prede;\nMlada cura gorom pivaa,\nI na momka glavom klima:\n\u201eDo\u0111i, mom\u010de, ti do no\u0107i,\nTi \u0107e\u0161 meni prest pomo\u0107i.\u201c\nA mom\u010de je to volilo\nPa je curi besidilo:\n\u201eMlada curo, spravi runo,\nDonit \u0107u ja vreteno,\nOprest \u0107emo za prteno.\u201c\n\nKudilja i vreteno. Erotske narodne pjesme. 1980.  \nPriredio Igor Mrdulja\u0161. Zagreb: Znanje<\/em><\/pre>\n<\/div>\n<\/div>\n\n\n\n
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Fabrika gdje se ljudi prave<\/strong>\n\nDo\u0161ao jedan \u017didov sa svojim sinom, komu je ve\u0107 bilo oko trinaest god\u0131na, prvi put u Zagreb a provezao se kroz ulicu Potok. Kako su ve\u0107 \u017didovi po naravi znati\u017eeljni, tako je bio i ovaj mladi\u0107 pa je neprestano dodijavo ocu pitaju\u0107 ga: Tata, \u0161to je u toj ku\u0107i? Otac ga je odbijao, al mu napokon dosadi vje\u010dno pripitkivanje sinovo a osobito kad ga je upitao za one ku\u0107e otkalem su kroz prozor gledale lijepe cure, a to su kurvarnice. Stoga mu otac odgovori ljutito: To je fabrika, gdje se Ijudi prave! Na to stade mladi\u0107 oca tentati, neka po\u0111e s njime u tu fabriku, da bi on rado vidio kako se ta pravi, ali otac dakako nije o tom ni \u010duti htjeo. Kad su stigli u gostionu, gdje su otsjeli, pokupi se mladi\u0107 pa ravno sam u fabriku Ijudi, koju si je dobro upamtio bio. Kad je tamo do\u0161ao po\u0111e na prva vrata u hodniku te u\u0111e u sobu ali u istoj sobi je ba\u0161 netko jebo na divanu pa je zaboravio vrata da zaklju\u010da. Kad je jebedi mladi\u0107a opazio po\u010de ga ru\u017eiti, da neka ide van, al\u0131 se mladi\u0107 ne dade smesti, ve\u0107 je neko doba motrio a tada izi\u0161ao i oti\u0161ao ravno u gostionu. Kad ga otac ugledao stade ga pitati da gdje je bio a sin mu srdito odgovori: Ta gdje drugdje ve\u0107 u fabriki ljudi. Pa \u0161ta si tamo vidio, ti neposlu\u0161ni sine? \u0160to sam vidio? Skoro ni\u0161ta, jer sam zakasnio. A da si ti onda, kad smo onuda prolazili, s menom uni\u0161ao unutra, vidio bih bio sve, a tako vidio sam ve\u0107 sasvim gotovoga \u010dovjeka, samo mu je majstor jo\u0161 prkno bu\u0161io! \n\nErz\u00e4hlt von einem Gymnasiallehrer in Agram in Chrowotien\n(Pripovijeda srednjo\u0161kolski u\u010ditelj u Zagrebu u Hrvatskoj)\nKrauss, Friedrich Salomo. 1904. Anthropophyteia. Jahrb\u00fccher f\u00fcr Folkloristische Erhebungen und Forschungen zur Entwicklungsgeschichte der geschlechtlichen. I. Svezak<\/em><\/pre>\n<\/div>\n\n\n\n
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Krauss, Friedrich Salomo. 1904.  Anthropophyteia. Jahrb\u00fccher f\u00fcr Folkloristische Erhebungen und Forschungen zur Entwicklungsgeschichte der geschlechtlichen.<\/em><\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
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Krava<\/strong>\n\nBilo mu\u017eu i \u017eeni vru\u0107e u sobi spavati pa se legnu uz plot, mu\u017e s ove, a \u017eena s one strane. \nU no\u0107i do\u0111e netko te vidi \u017eenu i legne se\nna nju a ona po\u010de stenjati. \nPita mu\u017e, \u0161to joj je, a ona, da ju krava\njezikom li\u017ee. \nDrugu no\u0107 legne mu\u017e na \u017eenino mjesto. \nDo\u0111e onajisti \u010dovjek i kako je mrak bio, mislio je da to opet \u017eena le\u017ei i stane\nmu\u017eu kurac u dupe turati. \nMu\u017e zavikne a \u017eena upita, \u0160to je? \nA on odgovori: Tebe je jezikom lizala a mene ho\u0107e da rogom bode!\n\nAus Sisek in Chrowotien. Von einem Kaplan erz\u00e4hlt!<\/em><\/pre>\n<\/div>\n<\/div>\n\n\n\n
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Koja to je pravica?<\/strong> \n\nU Cavtata bila je jedna mlada, \u010destna i ljepa djevojka, koja bi \n\u010desto davala, ali ne svakome, nego samo tomu, koji bi se njoj svi\u0111ao. \nNaguloso se na nju jedan mladi sudac, ali ona ga nikako nije htila \npustit, jerbo bio sasvim samosilan. On iz po\u010detka na lijepi na\u010din pa \nprijetio, dade njoj u\u010diniti pravdu, ali sve uzaludu. Da nju predobije, \nzatvorio nju jedanput u pr\u017eun radi nekakve malenkosti. Ona dobro \nje poznala za\u0161to pa kad su ju vodili iz pr\u017euna preda nj, onda po\u010dme \nplakati: \n\nKoja to je pravica, \nDa nisam svoje pizde gospodarica?! \n\nKrauss, Friedrich Salomo. 1904. Anthropophyteia. Jahrb\u00fccher f\u00fcr Folkloristische Erhebungen und Forschungen zur Entwicklungsgeschichte der geschlechtlichen. I. Svezak\n\n<\/pre>\n<\/div>\n\n\n\n
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Etnografski muzej Zagreb<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
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Divojka je pod jablanom stala,\nSvog dragana k sebi dozivala:\n\u201eMoj dragane, moje sunce \u017earko,\nHodi amo, od ru\u010dka je vrime;\nRa\u017eanj ima\u0161, evo zaoblice!\u201c\n\nKudilja i vreteno. Erotske narodne pjesme. 1980.  \nPriredio Igor Mrdulja\u0161. Zagreb: Znanje\n<\/pre>\n<\/div>\n\n\n\n
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Po\u010de\u0161e me boboniti\nDa \u0107e mene o\u017eeniti,\nJol mi dra\u017ee \u010dobanicu,\nJol mi dra\u017ee Bodulicu,\nJol mi dra\u017ee udovicu.\nJa ti ne\u0107u \u010dobanice,\nJa ti ne\u0107u Bodulice,\nZa najmanje udovice.\nU nje vrana peru\u0161ana!\nVe\u0107 ja odoh u mlinicu,\nDa \u0107u ljubit mlinaricu.\nKad ja do\u0111oh u mlinicu,\nMlinar kupi ujmenicu,\nJa pritiskoh mlinaricu,\nI uze mi jedan dinar.\nZate\u010de me na njoj mlinar,\nPa \u0107e meni mlinar re\u0107i:\n\u201eUdri, kume, kada mo\u017ee\u0161,\nJa ne mogu \u2013 fala bogu!\u201c\n\nKudilja i vreteno. Erotske narodne pjesme. 1980. Priredio Igor Mrdulja\u0161. Zagreb: Znanje  . \n \n<\/pre>\n<\/div>\n<\/div>\n\n\n\n
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Etno queer izlet – Etno ispod pasa<\/h2>\n\n\n
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Uo\u010di Queer Zagreb Sezone, tijekom vikenda 22. i 23. svibnja 2021., u suradnji s Udrugom gra\u0111ana Tara, gospo\u0111ama zaslu\u017enim za o\u010duvanje i preno\u0161enje tradicije ru\u010dnog rada i li\u010dkog smisla za \u0161alu, odr\u017eao se  etno queer izlet <\/a>u Li\u010dko Petrovo Selo, gdje su se polaznici imali priliku kroz radioni\u010darski program izravno upoznati s bogatom tradicijom rukotvorina i fenomenom nakurnjaka. Uz radionicu pletenja i dru\u017eenje s doma\u0107im \u017eenama, izlet je obuhva\u0107ao i obilazak Plitvi\u010dkih jezera te upoznavanje s lokalnom povijesti i obi\u010dajima. Izlet je bio dio programa Etno ispod p\u0203sa, koji se nastavio 29. 5. s vo\u0111enom turom u Etnografskom muzeju u Zagrebu.<\/p>\n
Lika<\/strong> \u2013 kraj kojeg su mnogi od nas \u010de\u0161\u0107e promatrali kroz prozor automobila, nego \u0161to su u njemu zastali i u\u017eivali. Jednom kad si\u0111emo s autoceste, bogati krajolik sredi\u0161nje Hrvatske otkriva svoje ljepote. No, Lika nam ne nudi samo \u010dudesa o\u010duvane prirode, nego i priliku da se pove\u017eemo s obi\u010dajima starijih generacija. Mnogo mudrosti, otpornosti i prkosnog humora krije se u li\u010dkim tradicijama i u onima koji ih pamte i prenose dalje. Nekoliko takvih mje\u0161tanki Li\u010dkog Petrovog Sela okupilo se u udrugu gra\u0111ana Tara radi o\u010duvanja tradicionalne izrade tekstilnih rukotvorina. To obuhva\u0107a vunene \u010darape, coklje i torbe, ali za njih se daleko pro\u010dulo zbog autohtonih li\u010dkih nakurnjaka \u2013 vunenog mu\u0161kog donjeg rublja koje je \u0161titilo od o\u0161trih zima. Ovaj suvenir koji izaziva smijeh podsje\u0107a nas da folklor nikad nije li\u0161en tema i pouka za svaku generaciju. Upravo to je Domino prepoznao u radu udruge Tara \u2013 britku narodnu zezanciju koja smjelo zahva\u0107a teme seksualnosti od kojih i danas srame\u017eljivo okre\u0107emo glavu. Neki koji su ovu narodnu rukotvorinu gledali s omalova\u017eavanjem ili stidom, poku\u0161ali su prekrstiti nakurnjake u \u201codjevni predmet za mu\u0161ko spolovilo\u201d, ali u duhu je Li\u010dana i Li\u010danki da ne zaziru nazvati stvar onime \u0161to ona jest, bez okoli\u0161anja. Otud \u017eelja za povezivanjem etna i queera.         <\/p>\n\n\n\n
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Nakurnjak, kakvim ga mi vidimo u suvremenom kontekstu, nije odre\u0111en ni spolom ni rodom. 
On je zabavna dosko\u010dica i prakti\u010dna rukotvorina, a njegova izrada opu\u0161taju\u0107a razbibriga. <\/em><\/strong><\/p>\n\n\n\n
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\"Etno
Instalacija u izlogu Domina, Kurnjaci i nakurnjaci<\/strong> umjetnice Apolonije Lu\u010di\u0107<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
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Domino je u svom izlogu predstavio duhovitu instalaciju Kurnjaci i nakurnjaci <\/em><\/strong>\u00a0koja uklju\u010duje rukotvorine \u017eena iz udruge gra\u0111ana\u00a0Tara<\/strong>\u00a0iz\u00a0Li\u010dkog Petrovog Sela<\/strong>\u00a0i umjetnice\u00a0Apolonije Lu\u010di\u0107.<\/strong>\u00a0Ovo je suradnja koja u queer ujedinjuje humor, ba\u0161tinu, edukaciju, art i erotiku. \u00a0<\/span><\/p>\n
U okviru organizacije queer izleta u Li\u010dko Petrovo Selo, polaznici su\u00a0 kroz radioni\u010darski program imali priliku izravno upoznali s bogatom tradicijom rukotvorina i fenomenom nakurnjaka. Dru\u017eili smo se s mje\u0161tankama koje su u Udruzi Tara okupljene radi o\u010duvanja tradicionalne izrade tekstilnih rukotvorina od kojih do izra\u017eaja dolaze autohtoni li\u010dki nakurnjaci \u2013 vuneno mu\u0161ko donje rublje koje je \u0161titilo od o\u0161trih zima. Ono \u0161to je nekad bila svakodnevica, danas nam je suvenir koji nas podsje\u0107a da folklor nikad nije li\u0161en tema i pouka za svaku generaciju, ali i da je queer dio na\u0161e ba\u0161tine.\u00a0 Posjetom Lici i tamo\u0161njoj tradiciji \u017eeljeli smo rekontekstualizirati i reinterpretirati obi\u010daje u pogledu na rodne uloge i identitete, kao i queer teme op\u0107<\/span>enito.<\/span><\/p>\n
\u00a0<\/p>\n\n\n
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\"Etno
Instalacija u izlogu Domina, Kurnjaci i nakurnjaci<\/strong> umjetnice Apolonije Lu\u010di\u0107<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
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\"Etnografski \u00a0 \"\" \u00a0 \"\"\u00a0 \u00a0 \"\"\u00a0 \u00a0 \"\"\u00a0 \u00a0\"\" \u00a0\"\"<\/p>","protected":false},"excerpt":{"rendered":"
ETHNO QUEER is a broadly defined cultural-research and production project of the Domino association, which brings together organizations and culture experts, as well as organizations from Croatia and its region<\/p>\n","protected":false},"author":1,"featured_media":31246,"template":"","dt_portfolio_category":[1766,1752],"dt_portfolio_tags":[],"class_list":["post-32035","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-etnoqueer-en","dt_portfolio_category-projects","dt_portfolio_category-1766","dt_portfolio_category-1752","description-off"],"yoast_head":"\nETNO QUEER - This is a Domino project!<\/title>\n<meta name=\"description\" content=\"ETNO QUEER je \u0161iroko definiran kulturno-istra\u017eiva\u010dki i produkcijski projekt udruge Domino koji je okupio organizacije i stru\u010dnjake u kulturi, kao i stru\u010dne dru\u0161tveno-humanisti\u010dke organizacije iz Hrvatske i regije.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/thisisadominoproject.org\/en\/programi\/etno-queer\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Etno Queer, artistic research project of the anthropology of sexuality\" \/>\n<meta property=\"og:description\" content=\"ETHNO QUEER is a broadly defined cultural-research and production project of the Domino association, which brings together organizations and culture experts, as well as organizations from Croatia and its region\" \/>\n<meta property=\"og:url\" content=\"https:\/\/thisisadominoproject.org\/en\/programi\/etno-queer\/\" \/>\n<meta property=\"og:site_name\" content=\"Udruga Domino\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/thisisadominoproject\" \/>\n<meta property=\"article:modified_time\" content=\"2023-09-26T08:40:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/thisisadominoproject.org\/wp-content\/uploads\/2022\/12\/etno-queer-zid2_page-0001-1024x512.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/thisisadominoproject.org\\\/en\\\/programi\\\/etno-queer\\\/\",\"url\":\"https:\\\/\\\/thisisadominoproject.org\\\/en\\\/programi\\\/etno-queer\\\/\",\"name\":\"ETNO QUEER - 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