[hgroup title=”Vedrana Klepica (HR)” subtitle=”Keinberg” el_class=”titleBack”]
1. 12. 2020. | 20:00h – 21:10h
4. i 5. 12. 2020. | 20:00h – 21:10h
Teatar EXIT
1. 12. 2020. | 20:00h – 21:10h
4. i 5. 12. 2020. | 20:00h – 21:10h
Teatar EXIT
[hgroup title=”Vedrana Klepica (HR)” subtitle=”Keinberg” center_text=”yes”]
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Tekst i režija: Vedrana Klepica
Izvode: Boris Barukčić, Hrvojka Begović, Nataša Kopeč, Pavle Vrkljan
Scenografija i kostimi: Petra Pavičić
Glazba: Hrvoje Nikšić
Oblikovanje svjetla, video: Ivan Lušičić Liik
Suradnica za pokret: Anna Javoran
Fotografije: Silvija Dogan
Umjetnički direktor Domina: Zvonimir Dobrović
Producentica: Silvija Stipanov
Produkcijska suradnica: Petra Begović
Odnosi s javnošću: Karla Pudar
Umjetnički ravnatelj Teatra EXIT: Matko Raguž
Promidžba i produkcija Teatra EXIT: Anita Čendeš
Tehnika Teatra EXIT: Domagoj Klasić, Nebojša Paunković
Produkcija: Domino, Festival Ganz nove Perforacije
Koprodukcija: Teatar EXIT
Financijska podrška: Ministarstvo kulture i medija RH, Grad Zagreb.
Sufinancirano sredstvima programa Kreativna Europa Europske Unije u okviru projekta suradnje ACT: Art, Climate, Transition.
Prvi vlak prošao je ovuda tek 1888. No, tračnice su bile provizorne, napravljene od drveta. Prava funkcionalna željeznica neće se izgraditi još jedanaest godina i koštat će današnjih gotovo 8 milijuna eura. Ispraznit će blagajnu i dovesti regiju gotovo do bankrota. Ali da bi se iz ničega stvorilo nešto treba se malo oznojiti. Treba malo upregnuti mišiće.
U početku je bilo 22 ljudi. Nedugo nakon toga ih je vlakom došlo još 236. Zatim 2456. I nakon toga je samo raslo.
Taša je došla ovdje tražiti posao.
Kaspar i Olaf ga već imaju.
Bjorn je bio gotovo neprepoznatljiv kada se moralo identificirati njegovo tijelo.
2 Albanaca su nađeni zapaljeni u kabini vozila.
Astrid je dobila zaista velikodušnu odštetu od firme.
Keinberg se bavi moralnim i ekonomskim raspadom male industrijske zajednice u neimenovanom mjestu u Europi. Kazališna predstava počiva na istraživanju stvarnih slučajeva više gradova, osobito se fokusirajući na jedno specifično mjesto na samom sjeveru Švedske, u kojem je kroz intenzivnu eksploataciju rudnika željezne rude doveden u pitanje opstanak cijele gradske zajednice. Sličnih primjera o industrijskim gradovima u raspadu ima sve više u cijeloj Europi, i dobar su politički i klasni termometar jednog sistema koji se već desetljećima prirodno mijenja, no isto tako ugrožava cijelu jednu grupaciju radnika te nerijetko kreira urbano siromaštvo. Predstava kroz izvedbeni i vizualni jezik istražuje ponavljajuće principe kasnog kapitalizma u kojem sami sistemi koji su osnova izgradnje jedne ekonomske zajednice, kroz nedovoljnu kontrolu, postaju razlozi njezinog raspadanja. Što se događa kada jedina industrija koja uzdržava grad/zajednicu, istovremeno odgovara za njegov nestanak? Što se psihološki i sociološki događa s tom zajednicom?
VEDRANA KLEPICA djeluje kao dramska spisateljica, dramaturginja i redateljica. Drame su joj izvođene u Hrvatskoj, Velikoj Britaniji, Njemačkoj, Lichtensteinu, Luxembourgu, Francuskoj, Srbiji, Australiji i Argentini, te su prevedene na šest različitih jezika Sudjelovala je na nekim od najbitnijih festivala i rezidencija za dramske i kazališne autore. Dosad izvedeni naslovi uključuju J.A.T.O, Radio Kundera, To Fuck Because We Want To, Tragična Smrt Ekonomskog Analitičara, Nebo je sivo i vidi se ispušni dimnjak tvorničkog postrojenja, Moby play, Bijeli bubrezi, Naš odgoj, Instructions For Understanding Multiannual Plants, Lepa Brena Project, Posljednje obraćanje usamljene gitare glazbenika i poduzetnika Miroslava Škore iz turbulentne godine predizborne izolacije, etc.
Text and direction:: Vedrana Klepica
Performers: Boris Barukčić, Hrvojka Begović, Nataša Kopeč, Pavle Vrkljan
Scenography and costumes: Petra Pavičić
Music: Hrvoje Nikšić
Light design, video: Ivan Lušičić Liik
Movement associate: Anna Javoran
Photographer: Silvija Dogan
Performers: Boris Barukčić, Hrvojka Begović, Nataša Kopeč, Pavle Vrkljan
Scenography and costumes: Petra Pavičić
Music: Hrvoje Nikšić
Light design, video: Ivan Lušičić Liik
Movement associate: Anna Javoran
Photographer: Silvija Dogan
Artistic director (Domino): Zvonimir Dobrović
Producer: Silvija Stipanov
Production associate: Petra Begović
PR: Karla Pudar
Producer: Silvija Stipanov
Production associate: Petra Begović
PR: Karla Pudar
Artistic director (Theater EXIT): Matko Raguž
Production support (EXIT): Anita Čendeš
Technical support (EXIT): Domagoj Klasić, Nebojša Paunković
Production: Domino, Festival Ganz nove Perforacije
Co-production: Teatar EXIT
Technical support (EXIT): Domagoj Klasić, Nebojša Paunković
Production: Domino, Festival Ganz nove Perforacije
Co-production: Teatar EXIT
Financial support: Ministry of Culture and Media of the Republic of Croatia, City of Zagreb.
Co-financed by the Creative Europe of the European Union program within the ACT cooperation project: Art, Climate, Transition.
Keinberg deals with the moral and economic collapse of a small industrial community in an unnamed place in Europe. Performance is based on research of real case studies of several cities, but especially on the documentary material on the destiny of a smaller town on the very north of Sweden whose inhabitants mainly consists of a working class employed in the local mine. The mine’s long term exploitation brings into danger the very existence of the community that will, due to the erosion of land and the pollution, literally collapse on itself. The local authority’s solution is to move the entire town elsewhere – to literally copy it and transfer it to another place inhabited by an indigenous community that lives in accordance with nature. Similar examples of working towns with their industry collapsing can be found all over Europe, and as such present a good political and class thermometer of a system that has been dissolving for decades endangering an entire economic grouping of people.
The performance explores, through performance and visual language, the recurring principles of late capitalism, in which the very systems underlying the construction of any given economic community, through insufficient control, become the reasons for its disintegration.
What happens when the only industry that sustains a city / community is simultaneously responsible for its disappearance? What happens when one microcosm is being forcefully copied onto another context that does not function there either socially or environmentally? What is happening psychologically and sociologically with this community?
Vedrana Klepica is a Zagreb based writer, dramaturge and theatre director. She studied dramaturgy at the Academy of Dramatic Art in Zagreb, Croatia. Her work has been performed on stages in Croatia, UK, Australia, Argentina, Austria and Germany, and includes titles J.A.T.O, To Fuck Because We Want To, The Tragic Death of the Economic Analyst, The Whistle-blower, Prairie Oysters, Our class etc, that mainly focus on topics of class, privilege and patriarchy, and are influenced by documentary theatre, postdramatic and non-narrative forms. As a playwright she participated in festivals and residencies in Germany, Australia, Turkey, UK, France, Spain, Sweden, Macedonia and South Africa. She works as a dramaturg both on drama and dance performances, and since 2012. She has been working as a theatre director, devising her own work.
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