Camila Sosa Villada: Loše djevojke Loše djevojke autobiografska je priča o 19-godišnjoj trans ženi koja se doseljava u veliki grad i pridružuje skupini trans seksualnih radnica. Ovaj nagrađivani roman istovremeno je bajkovit i strašan – nudi intiman grupni portret i eksplozivni manifest transrodnog društva. U njemu se spajaju dva trans lica koja odbijaju i užasavaju…
Kao jedan od prvih domaćih performansa koji je kritički propitivao ujedinjenje RH u EU ističe se duo-performans Zagrlit ću svog novog prijatelja (2009.) Paska Burđeleza i Rodiona, kojem su kao moto postavili sljedeća tri određenja prijateljstva:
Projekt Počimalja (2022–) temelji se na umjetničinom interdisciplinarnom istraživanju, rubne, folklorne ženske glazbene prakse – tepsijanja za koje se kao krovna pripadnost ističe da pripada u bosanski, odnosno balkanski folklor…
Multimedijalna umjetnica Arijana Lekić Fridrih ove je godine u Napulju provela umjetničko istraživanje nematerijalne kulturne baštine Napulja specifično vezano uz mitove i legende o ženama, naslovljeno “La donna di Napoli e una revoluzione”.
O trenutnoj i budućoj ekološkoj katastrofi, u performansu “Elementi” posvećenom često zaboravljenoj snazi prirodnih sila. Prema konceptu Brune Isakovića izvodi Silvija Dogan.
Dok na jednoj strani trga muškarci mole za muževnost i patrijarhat, Arijana i Domino su na drugoj u participativnom performansu, skupnoj intervenciji pod nazivom “Tiha misa”.
Nikolina Butorac, s praznom knjigom postavljenom na štandu u centru grada, prikuplja recepte građana za osobne taktike štednje i predstavlja rad: Sinergije razmjena, klimatski neutralna hrana i osobne taktike štednje.
“Egzoneracija tradicije” je hibridni performativni projekt multimedijalne umjetnice Lale Raščić. Rad polazi od istraživanja tepsijanja kao poglavito ženskog tradicionalnog običaja – onog čija je baština gotovo i neočuvana – te ga postavlja u suvremeni kontekst. Kroz feminističku prizmu autorica istražuje nove mogućnosti korištenja tepsije kao idiofonog instrumenta izbavljenog iz konteksta instrumentalizirane tradicije i folkloriziranih praizvedbi.
U Vodi do grla, kako je glasio naziv morskoga hepeninga Vlaste Žanić, izvedenom posljednjega dana festivala Almissa Open Art pandemijske 2020. godine u suton, svi su nazočni, većinom svečano odjeveni a pritom u moru, prisustvovali tom morskom gastronomskom hepeningu uz šampanjac i kanape sendviče.
Prvi naš ženski punk-bend Schizoid Wikler’s osnovale su Vida Borš (bas) i Maja Kovač (glas) 1995. godine zajedno s Tajom Peršić (gitara) i Tihanom Dasović (bubanj).
Na festivalu Almissa Open Art 2019. godine Nina Kamenjarin predstavila se ponovnom izvedbom performansa Sanje Iveković iz 2015. godine, Upalim motor i nisam više na zemlji. Možda odem u raj, ali idem paklenski brzo
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