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Q izlog Borna Ivanuša: Queer folklore

Queer Folklore proposes a shop-window scenography whose central motif is a spider—a hybrid creature marked by a vintage club-kid aesthetic, heavy makeup, and a moustache. This figure operates as a queer subject that destabilizes binary understandings of gender and identity, resisting any clear or fixed categorization. Through its hybridity, the spider becomes a symbol of an identity that exists outside socially prescribed frameworks.

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Q Izlog: The Book of Genesis, Andrej Vern

The work The Book of Genesis by Andrej Vern departs from the intimacy of everyday space in order to articulate transition as a continuous, open-ended process, freed from the notion of finality suggested by the term “post-transition.” Through the tactile mapping of the relief of stairs—sites of repetition, passage, and pause—the artist establishes a parallel between architectural fissures and personal transformations, emphasizing their temporal layering and persistence.

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Q Izlog 2026: Results

Based on the applications received in response to Domino’s open call for exhibitions in the Q Izlog of the Domino association, located at Petrinjska 38 in Zagreb (with a submission deadline of March 13, 2026), the following artists have been selected for exhibitions in 2026:

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Q Izlog: Stamping, Siniša Labrović

Q Izlog: Stamping
Siniša Labrović
20 February – 31 March 2026
“Brand or, in English usage, brand (from Old Frisian meaning ‘to mark with a hot iron’ or to brand animals) is a recognizable sign or name of a product, which often also implies quality,” says Wikipedia. Over the past 35 years, Croatia has produced only one strong and consistently recognizable brand that inspires “feelings of trust, usefulness, well-being, and security”—of course, the Croatian Democratic Union.

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Q IZLOG 2025: Kaja Dujmić

Kaja Dujmic If only I could forget the language 8. 11. – 4. 12. 2025. This is one of the works from the unfinished series If Only I Could Forget Language, which explores, transforms, and subverts verbal language. In this work, the artist uses a growing database of linguistic fragments that she extracts from books,…

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